Thursday, 18 June 2026
āϤিāύ āĻĢৌāĻāĻĻাāϰি āĻāĻāύ : āĻāĻĒāύিāĻŦেāĻļ āĻĒেāϰিā§ে āĻāĻĒāύিāĻŦেāĻļিāĻ āĻāĻāύ - āύিāĻļা āĻŦিāĻļ্āĻŦাāϏ āĻ āĻŦিāĻā§া āĻāύ্āĻĻ -2026
āύিāĻেāĻĻেāϰ āύিāϰাāĻĒāϤ্āϤাāϰ āϏ্āĻŦাāϰ্āĻĨে āĻĒ্āϰāϤ্āϝেāĻ āύাāĻāϰিāĻেāϰ āĻĻেāĻļেāϰ āĻĒ্āϰāĻāϞিāϤ āĻāĻāύāĻুāϞো, āĻāĻāύেāϰ āϏংāĻļোāϧāύী, āϏংāϝোāĻāύ, āĻĒāϰিāĻŦāϰ্āϤāύ āĻāĻŦং āĻĒāϰিāĻŦāϰ্āϤিāϤ āύāϤুāύ āĻāĻāύ āϏāĻŽ্āĻĒāϰ্āĻে āϏāĻŽ্āϝāĻ āĻ্āĻাāύ āĻĨাāĻা āĻĻāϰāĻাāϰ; āϤা āύা āĻšāϞে āĻāĻŦে-āĻীāĻাāĻŦে āĻŦāĻšু āϞāĻĄ়াāĻāϝ়ে āĻ
āϰ্āĻিāϤ āĻŽাāύুāώেāϰ āĻ
āϧিāĻাāϰ āĻিāύāϤাāĻ āĻšāϝ়ে āϝাāĻŦে āĻাāύা āϝাāĻŦে āύা।
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āϤিāύ āĻĢৌāĻāĻĻাāϰি āĻāĻāύ : āĻāĻĒāύিāĻŦেāĻļ āĻĒেāϰিā§ে āĻāĻĒāύিāĻŦেāĻļিāĻ āĻāĻāύ
āύিāĻļা āĻŦিāĻļ্āĻŦাāϏ āĻ āĻŦিāĻā§া
āĻŽুāĻĻ্āϰিāϤ āĻŽূāϞ্āϝ ā§§ā§Žā§Ļ/-āĻাāĻা
āĻĒাāĻā§া āϝাāĻ্āĻে āĻĒাāĻĒাāĻ্āĻুāϞেāϰ āĻāϰে
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āĻāϰে āĻŦāϏে āĻŦāĻāĻি āϏংāĻ্āϰāĻš āĻāϰাāϰ āĻāύ্āϝ āĻšোā§াāĻāϏ্āϝাāĻĒে āĻ
āϰ্āĻĄাāϰ āĻĒ্āϞেāϏ āĻāϰুāύ đđģ
+91-6289066429/+91-9748813977
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āĻāĻŽাāĻĻেāϰ āĻŦāĻāĻāϰে āĻāϏে āϏংāĻ্āϰāĻš āĻāϰুāύ
|| āĻāĻŽাāĻĻেāϰ āĻ িāĻাāύা ||
āĻĄি/⧝, āĻāϰ.āĻāύ.āĻāĻিāύিāĻ, āϏোāĻĻāĻĒুāϰ,
āĻĻেāĻļāĻŦāύ্āϧু āϏ্āĻুāϞ āĻĒেāϰিā§ে āĻোāĻļাāϞাāϰ āĻĻিāĻে āϝেāϤে āĻĄাāύ āĻšাāϤে,
āĻāύ্āĻĻ্āϰāĻূā§ āĻাāϰ্āϞāϏেāϰ āĻāϞিāϰ āĻ িāĻ āĻāĻে
.
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@āĻĒাāĻĒাāĻ্āĻুāϞেāϰ āĻāϰ, āĻŦāĻā§েāϰ āĻোāύāĻ āĻŦিāĻāϞ্āĻĒ āĻšā§ āύা।
As philosopher Elvis Imafidon argues, this relational understanding of reality produces a community-centred ethics placing equal value on human and non-human aspects of existence alike. AFRICA
What if the Western idea of the independent, self-defining individual is fundamentally mistaken?
Many African philosophies like Ubuntu argue that things don't exist in isolation and then connect. Instead, all things become what they are through their relations with other things.
Imafidon is a Reader in African Philosophy and Head of the School of History, Religions and Philosophies at SOAS University of London.
Tap the link to read more. https://iai.tv/.../african-philosophys-challenge-to
āĻŦ্āϝāĻ্āϤিāĻāϤāĻ āϰাāĻāύৈāϤিāĻ | ARUNA ROY -āĻ āύুāĻŦাāĻĻ: āϰৌāĻšিāύ āĻŦāύ্āĻĻ্āϝোāĻĒাāϧ্āϝাāϝ়
āύ্āϝাāϝ়েāϰ āϞāĻĄ়াāĻ āĻāĻāύো āϏāĻšāĻ āĻšāϝ় āύা। āĻ
āϰুāĻŖা āϰাāϝ় āϏেāĻা āĻাāύāϤেāύ— āϤāĻŦুāĻ āϞāĻĄ়েāĻেāύ।
RTI āĻāύ্āĻĻোāϞāύেāϰ āĻĒāĻĨিāĻৃā§, āϰ্āϝাāĻŽāύ āĻŽ্āϝাāĻāϏেāϏে āĻĒুāϰāϏ্āĻাāϰāĻāϝ়ী āĻāĻ āĻāϰ্āĻŽāϝোāĻীāϰ āĻীāĻŦāύ āĻāĻāύ āĻŦাংāϞাāϝ়।
ā§§ā§Ģ% āĻাāĻĄ় + ₹1000-āĻāϰ āĻāĻĒāϰে āĻĢ্āϰি āĻĄেāϞিāĻাāϰি
Tuesday, 16 June 2026
Lupto devata bilupto utsav--smriti o sandhan by Swapan Kumar Thakur [endangered deities disappeared festivals--in Bengali] - 2026
Lupto devata bilupto utsav--smriti o sandhan by Swapan Kumar Thakur-āĻĻাāĻŽ 300 āĻাāĻা । āĻিāύāϤে āĻাāĻāϞে āĻ
āϰ্āĻĄাāϰ āĻĻিāϤে āĻĒাāϰেāύ
Monday, 15 June 2026
đđđŦđđđĢđĸđ§đ đđĸđĢđ’s đđ¤đ˛ đđŦ đđ˛ đ đđđĄđđĢ - the Naga resistance to colonial rule - 2026
is a compelling historical novel set in the Angami Naga village of Khonoma during a period when British colonial expansion began reshaping Naga society. Through a richly woven narrative, the book portrays the Naga resistance to colonial rule, the vibrancy of community life and oral traditions, and the tensions between tradition and modernity. It also offers a nuanced account of the cultural and religious transformations that accompanied this era of change.
Written from an indigenous perspective, the novel documents the history, worldview, and cultural practices of the Angami Nagas with remarkable authenticity and sensitivity. I strongly recommend this book as a must-read for anyone seeking a deeper understanding of Northeast India and its people.
Thursday, 11 June 2026
Dr. Philipp Maas's newly published open-access article-PÄtaÃąjalayogaÅÄstra's third chapter (VibhÅĢtipÄda) - 2026
We are thrilled to share Dr. Philipp Maas's newly published open-access article—a landmark annotated translation and working edition of the , based on previously unstudied manuscript witnesses.
In a touching footnote, Dr. Maas thanks Yogic Studies and our Sanskrit reading students—particularly Alexandr Fardeev—whose questions and philosophical discussions directly shaped the materials that went into this article. We are honored to have played a small role in this landmark publication, and eagerly await the publication of the complete edition and translation of the PÄtaÃąjalayogaÅÄstra in the coming years.
The article is free to read via Cardiff University Press. Link below.
đ https://alt.cardiffuniversitypress.org/.../10.18573/alt.90
Reparations and Redress for Historical Injustice by Timothy Waligore - New Cambridge Element HISTORICAL THEORY & PRACTICE - 2026
, Reparations and Redress for Historical Injustice by Timothy Waligore, out now! Read for free for the next 2 weeks at
https://cup.org/4uusuDs
SUBCONTINENT ADRIFT STRATEGIC FUTURE OF SOUTH ASIA - FEROZ HASSAN KHAN - 2026
“Significantly outranks other books that often deal with great-power South Asian policies rather than with the two nuclear-armed neighbors locked in a hostile relationship and constantly drifting from crisis to crisis...relevant for senior members of the defense community and will remain an indispensable reference for South Asian security for years to come." —Parameters https://www.cambriapress.com/SubcontinentAdrift
Land and Peoples of Southeast Asia—Southeast Asia - SOME BOOKS 2026
The is a region shaped by the intimate relationship between land and people. Forged by the meeting of the Indian and Pacific tectonic plates, its diverse geography—mountains, river valleys, peninsulas, and vast island chains—has profoundly influenced the development of its societies and civilizations. Rivers served as lifelines for settlement, agriculture, trade, and political power, while mountains, forests, and seas created natural boundaries that fostered both cultural diversity and local distinctiveness. Yet despite differences in language, customs, and historical experience, the peoples of Southeast Asia share common traits born from their adaptation to a landscape defined by the constant interplay of land and water. From the fertile plains of Angkor and the Red River Delta to the maritime networks of the Indonesian archipelago, Southeast Asia’s history is ultimately a story of how geography shaped human movement, livelihoods, and the emergence of a richly varied but interconnected cultural world.
THE TRANSPACIFIC CHINESE DIASPORA-MIGRATION NETWORK FROM CHINA TO CANADA & BEYOND - 2026
In The Transpacific Chinese Diaspora, Zhongping Chen examines the origins, rise, and reform of the Cantonese-dominated Chinese diaspora in Canada between 1788 and 1898. https://ow.ly/hK9M50Z6oNm
"This extremely important work completely remakes our understandings of the first century of the Chinese migrations to Canada, carefully tracing the diasporic connections of the merchant networks in Guangdong, Hong Kong, San Francisco, and British Columbia that organized, ordered, and enabled this migration. A superb piece of historical scholarship."
—Timothy J. Stanley, University of Ottawa
#ReadUP #history #asianamericanstudies #asianhistory
Contested Continent - Peter Mancall's history of the six centuries of American history - 2026
The newest volume in the acclaimed Oxford History of the United States series, Contested Continent recounts the origins of "America" and how it came to birth the United States.
that pre-dated the Revolutionary War masterfully weaves together the experiences of the Indigenous peoples and the European settlers to create a compelling story of a changing world.
https://oxford.ly/42KZdJb
Worldmaking and Border Politics - Anne McNevin -2026
Worldmaking and Border Politics is out now! đhttps://ow.ly/iKgE50Z8ZvV
" is a nuanced, generative assault on the dehumanization which characterizes our times. Amidst acute threats to those who cross borders, Anne McNevin offers imagination and opportunity. Not only is she an erudite guide to scholarship and current affairs, she lights a path to alternative framings, hope, and political possibilities."
—Loren Landau, University of Oxford
#ReadUP #internationalaffairs #politics #sociology #globalpolitics
Wednesday, 10 June 2026
The Fall of Republics by Thomas F. Madden
What caused the world’s great republics to fall—and what their fate reveals about the dangers facing modern democracies today.
is now available (4 August UK pub).
Find it here: https://hubs.ly/Q04kzKYt0
In this timely book, distinguished historian Thomas Madden explores the people, events, and factors that led to the collapse of some of the world’s most enduring republics—from Carthage to Rome to Venice and beyond—and examines the worrying lessons these failures hold for the United States and other democracies today.
The Fall of Republics not only tells the story of fallen states but also opens a window into how modern democratic republics were built on the ashes of the old. From Machiavelli to John Adams, philosophers and statesmen applied the lessons of lost republics to forge new ones that they hoped would be inoculated against the calamities that brought down their predecessors. The book reveals that republics thrive because they pit interests and powers against each other, balancing them across government branches to ensure stability and avoid tyranny. Republics are strengthened by adversity, which unites citizens despite their differences, and weakened by prosperity and security, which breeds division and partisan strife.
With their eyes on the ancient world, America’s founders built important safeguards into the Constitution—but those safeguards are being tested today as the United States accumulates historical hallmarks of broken republics, from political violence to the politicization of the courts. The Fall of Republics offers valuable lessons and insights about what threatens republics—and what’s needed to keep them alive.
Race in Transit BY Randa Tawil 2026
With follows the itineraries of the early Syrian diaspora, stitching together migrants' travels across archives from Beirut, Marseille, Liverpool, Manila, Washington, D.C., Michigan, and Texas.
https://ow.ly/y3gG50Z8ZbY
"Fascinating and original, Race in Transit examines the transnational routes of Syrian migration. Randa Tawil traces diasporic itineraries as a means of elaborating the 'migration infrastructures' that displaced, enabled, and restricted movement, challenging received notions of race and place."
—Lisa Lowe, author of The Intimacies of Four Continents
#ReadUP #history #middleeasthistory #ottomansyria #middleeaststudies
EMPIRE OF INK - ALEX WRIGHT
; CT’s editor in chief reviews one disappointing history of journalism and two histories that are engaging.
https://chrst.today/4urU3gB
‘Casual Assemblies: Afterlives of Maoist Performance Culture in Beijing’s Public Parks’. LISA RICHAUD -
Dr. Lisa Richaud (IIAS Research Fellow, 2022-2023) is in the process of releasing her book:
đš An online PDF version is currently available on OpenAccess: https://api.taylorfrancis.com/content/books/oa-mono/download?identifierName=doi&identifierValue=10.4324/9781003690566&type=webpdf
đš For more information, read the synopsis at: https://www.routledge.com/.../Richaud/p/book/9789463725392
đš Dr. Lisa Richaud is currently Research Fellow at the Paris Institute for
Advanced Study and will join KU Leuven as Assistant Professor in
Anthropology. Her latest articles can be found in Ethos and HAU: Journal
of Ethnographic Theory, where she edited a special section on the politics
of negative affects in post-Reform China. She is also a former fellow of
the International Institute for Asian Studies (Leiden) and the Wenner-Gren
Foundation for Anthropological Research.
đš This project is a publication by Taylor & Francis /Routledge, previously Amsterdam University Press
#AsianStudies #IIAS #Leiden_universit
Art in Literature - DORE J LEVY - 2026
"An exquisite study of the fascinating art objects in 'The Story of the Stone'...As much a work of love as it is an exemplar of erudition, Reading gifts us with an incredible resource on Chinese literature and visual culture, with profound insights into the relations among fiction, art, and spirituality." —Rey Chow, Andrew W. Mellon Distinguished Professor of the Humanities, Duke University https://www.cambriapress.com/readingartinliterature
āĻāϤ āϰূāĻĒে āĻĻেāĻি āϝে āϤোāĻŽাā§ - āĻšāϰিāĻĒāĻĻ āĻৌāĻŽিāĻ -āĻĒাāĻĒাāĻ্āĻুāϞেāϰ āĻāϰ āĻŽূāϞ্āϝ : ā§§ā§Ŧā§Ļ/-āĻাāĻা A BOOK ON MULTIPLE USE OF AN UMBRELLA DOWN THE AGES
āĻোāĻ āĻোāĻ āĻ
āĻ্āĻāϰাāĻ্āϝāĻে āĻāĻāϤ্āϰিāϤ āĻāϰে āϝেāĻŽāύ 'āĻāĻāĻ্āĻāϤ্āϰ āϰাāĻা' āĻšāϤেāύ āϤেāĻŽāύি āĻোāĻ āĻোāĻ āĻ
āĻুāύāϤি āĻাāϤাāϰ āĻ
āύāύ্āϤ āϰূāĻĒāĻে āĻāĻāϤ্āϰিāϤ āĻāϰে āĻāĻāĻি 'āĻāϤ্āϰ āĻোāώ' āϤৈāϰি āĻāϰা āĻšāϝ়েāĻে। āĻāĻ āĻ্āϰāύ্āĻĨে āĻাāϤাāϰ āĻŦিāĻিāύ্āύ āĻāϤিāĻšাāϏ āϝেāĻŽāύ āĻ
āĻিāώেāĻ āĻ āĻŦিāĻŦাāĻšেāϰ āĻāϤ্āϰ, āĻŦ্āϰāϤে āĻাāϤা,āĻļ্āϰাāĻĻ্āϧে āĻāϤ্āϰ, āĻāĻĒāύāϝ়āύে āĻāĻāĻŦেāĻĻে āĻāϰ্āĻŽে āĻāϤ্āϰ, āϏাāĻŽāĻŦেāĻĻীāϝ় āĻāϰ্āĻŽে āĻāϤ্āϰ, āĻāύāĻ āĻĻāύ্āĻĄ āĻāϤ্āϰ, āĻĒুāϰāύো āĻāϞāĻাāϤাāϝ় āĻাāϤা, āĻোāĻŦিāύ্āĻĻāĻĒুāϰে āĻাāϤা, āĻাāϰ āϝুāĻেāϰ āĻাāϤা,āĻিāϤ্āϰিāϤ āĻāϤ্āϰ, āĻāϤুāϏ্āĻোāĻŖ āĻāϤ্āϰ, āĻাāĻŽāϰ āĻিāĻš্āύিāϤ āĻāϤ্āϰ, āĻাāϤা āĻূāϤ, āĻাāĻĻ āĻĒেāĻাāύোāϰ āĻাāύে āĻাāϤা, āĻাāϤাāϰ āĻ
āύ্āϝāϰāĻāĻŽ āĻŦ্āϝāĻŦāĻšাāϰ, āĻুāϤো āĻুāϰিāϤে āĻাāϤাāϰ āĻŦ্āϝāĻŦāĻšাāϰ, āĻā§ে āĻাāϤাāĻĄুāĻŦি, āĻĻাāύāϏংāĻ্āϰাāύ্āϤিāϤে āĻāϤ্āϰ, āϧাঁāϧাā§ āĻাāϤা, āύাāϰীāϰ āĻļ্āϰāĻŽেāϰ āĻাāύে āĻাāϤা, āĻĒ্āϰেāĻŽ āĻাāϤা, āĻĒ্āϰāϏাāĻĻāĻিāύ্āĻš āĻāϤ্āϰ, āĻĒ্āϰāĻŦাāĻĻে āĻাāϤা, āĻŦ্āϰাāĻš্āĻŽāĻŖেāϰ āĻāϤ্āϰ, āĻŽāύোāϰāĻŽ āĻāϤ্āϰ, āĻŽāύুāϏংāĻšিāϤাāϝ় āĻাāϤা, āĻŽāĻšেāύ্āĻĻ্āϰ āĻĻāϤ্āϤেāϰ āĻাāϤা, āϝুāĻŦāϰাāĻেāϰ āĻāϤ্āϰ, āϰাāĻা āĻĒ্āϰāĻাāϰ āĻাāϤা, āϰাāĻāĻāϤ্āϰ, āĻļুāĻ্āϰ āĻাāϤা, āϏāϰ্āĻŦāϏাāϧাāϰāĻŖেāϰ āĻāϤ্āϰ āύিā§ে āĻāϞোāĻāύা āĻāϰা āĻšā§েāĻে। āĻāĻļা āĻāϰা āϝাā§, āĻ্āϰāύ্āĻĨāĻি āĻĻ্āϰুāϤ āϏāĻŽাāĻĻৃāϤ āĻšāĻŦে।
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āĻাāϤা : āĻāϤ āϰূāĻĒে āĻĻেāĻি āϝে āϤোāĻŽাā§
āϞেāĻāĻ : āĻšāϰিāĻĒāĻĻ āĻৌāĻŽিāĻ
āĻŽুāĻĻ্āϰিāϤ āĻŽূāϞ্āϝ : ā§§ā§Žā§Ļ/-āĻাāĻা
.
āĻŦāĻāĻি āϏংāĻ্āϰāĻš āĻāϰāϤে āĻāϞে āĻāϏুāύ āĻāĻŽাāĻĻেāϰ āĻŦāĻāĻāϰে।
āĻāĻŽাāĻĻেāϰ āĻ িāĻাāύা đđģ
āĻĄি/⧝, āĻāϰ.āĻāύ.āĻāĻিāύিāĻ, āϏোāĻĻāĻĒুāϰ,
āĻĻেāĻļāĻŦāύ্āϧু āϏ্āĻুāϞ āĻĒেāϰিā§ে āĻোāĻļাāϞাāϰ āĻĻিāĻে āϝেāϤে āĻĄাāύ āĻšাāϤে,
āĻāύ্āĻĻ্āϰāĻূā§ āĻাāϰ্āϞāϏেāϰ āĻāϞিāϰ āĻ িāĻ āĻāĻে
https://maps.app.goo.gl/6VGSUKzzCR2fuskc6
Tuesday, 9 June 2026
Migrant Women Writers and the Short Story in North America 1980-2020 by Laura Gallon - 2026
' explores short fiction by migrant women writers in Canada and the United States from 1980 to 2020, including Jhumpa Lahiri, Edwidge Danticat, Chimamanda Ngozi Adichie, Jamaica Kincaid, Chitra Banerjee Divakaruni, and Shani Mootoo, amongst many others.
Link in the comments.
āĻŽেāĻাāϏ্āĻĨিāύিāϏেāϰ āĻাāϰāϤ āĻ্āϰāĻŽāĻŖ। āϰāĻāύীāĻাāύ্āϤ āĻুāĻš āĻŽāĻšাāĻļāϝ় ā§§ā§Žā§Žā§Ž āϏাāϞে। āĻāϞāĻাāϤা āĻĨেāĻে āϏেāĻ āĻŦāĻ āĻĒ্āϰāĻাāĻļিāϤ āĻšāϝ়েāĻিāϞ।
āĻŽেāĻাāϏ্āĻšিāύিāϏেāϰ āĻাāϰāϤ āĻ্āϰāĻŽāĻŖ
āĻাāϞ āĻĨেāĻে āĻুāĻŦ āĻāĻŽā§āĻাāϰ āĻāĻāĻি āĻŦāĻ āĻĒāĻĄ়āĻিāϞাāĻŽ। āĻ্āϰীāĻ āĻ্āϰāĻŽāĻŖāĻাāϰী āĻŽেāĻাāϏ্āĻĨিāύিāϏেāϰ āĻাāϰāϤ āĻ্āϰāĻŽāĻŖ।
āĻāĻ āĻĨেāĻে āĻĒ্āϰাāϝ় 2400 āĻŦāĻāϰ āĻāĻে āĻŽেāĻাāϏ্āĻĨিāύিāϏ āĻাāϰāϤে āĻāϏেāĻিāϞেāύ। āϤāĻāύ āĻāύ্āĻĻ্āϰāĻুāĻĒ্āϤ āĻŽৌāϰ্āϝ āĻĒ্āϰāĻŦāϞ āĻĒāϰাāĻ্āϰāĻŽে āĻাāϰāϤ āĻŦāϰ্āώ āĻļাāϏāύ āĻāϰāĻেāύ। āϰাāĻāϧাāύী āĻিāϞ āĻĒাāĻāϞিāĻĒুāϤ্āϰ āϝা āĻāĻāĻেāϰ āĻĒাāĻāύা āύāĻāϰ। āĻ্āϰিāϏেāϰ āϏāĻŽ্āϰাāĻ āϏেāϞুāĻাāϏ ,āĻŽেāĻাāϏ্āĻĨিāύিāϏ āĻে āĻাāϰāϤে āĻĒাāĻ িāϝ়েāĻিāϞেāύ āĻāύ্āĻĻ্āϰāĻুāĻĒ্āϤ āϰ āĻাāĻে āϤাঁāϰ āĻĻূāϤ āĻšিāϏেāĻŦে।
āĻŽেāĻাāϏ্āĻĨিāύিāϏ āĻāϰ āϞেāĻা āĻŽূāϞ āϝে āĻŦāĻāĻি āϤাāϰ āύাāĻŽ āĻšāϞো Ta Indica , āϏেāĻি āĻিāύ্āϤু āĻāϰ āĻĒাāĻāϝ়া āϝাāϝ় āύা। āĻšāϝ় āĻšাāϰিāϝ়ে āĻেāĻে āĻ
āĻĨāĻŦা āύāώ্āĻ āĻšāϝ়ে āĻেāĻে। āĻিāύ্āϤু āϏুāĻেāϰ āĻāĻĨা āĻāĻ āϝে āϏেāĻ āĻŦāĻ āĻĨেāĻে āĻĒāϰāĻŦāϰ্āϤীāĻাāϞে āĻāϰো āĻ
āϏংāĻ্āϝ āĻাāϰāϤ āĻ্āϰāĻŽāĻŖāĻাāϰী āϤাঁāĻĻেāϰ āύিāĻেāĻĻেāϰ āĻŦāĻāϤে āĻ
āύেāĻāĻা āĻāϰে āĻ
ংāĻļ āĻ
āύ্āϤāϰ্āĻুāĻ্āϤ āĻāϰেāĻিāϞেāύ āĻŦা āĻĒুāϰ্āύāϞিāĻāύ āĻāϰেāĻিāϞেāύ।
āϏেāĻ āϏāĻŦ āĻুāĻāϰো āĻুāĻāϰো āĻ
ংāĻļāĻুāϞো āĻোāĻĄ়া āĻĻিāϝ়ে āĻĻিāϝ়ে āĻাāϰ্āĻŽাāύ āĻ
āϧ্āϝাāĻĒāĻ āĻ āĻāĻŦেāώāĻ āĻļোāϝ়াāύāĻŦেāĻ ā§§ā§Žā§Ēā§Ŧ āϏাāϞে āĻŽেāĻাāϏ্āĻĨিāύীāϏ āĻāύ্āĻĄিāĻা āύাāĻŽেāϰ āĻŽূāϞ āĻŦāĻāĻি āϰāĻāύা āĻāϰেāύ।
āϏেāĻ āĻŦāĻāĻাāϰ āĻ āĻŦাংāϞা āĻ
āύুāĻŦাāĻĻ āĻāϰেāĻিāϞেāύ āϤā§āĻাāϞীāύ āĻŦāϰিāĻļাāϞ āĻŦাāϏী āĻĒāύ্āĻĄিāϤ āĻŽাāύুāώ āϏাāĻŽ্āĻĒ্āϰāϤিāĻ āĻāĻĄ়ি āĻĒ্āϰāĻাāĻļāύী āĻāĻĄ়ি āĻĒ্āϰāĻাāĻļāύী āϏেāĻ āĻŦāĻāĻি āĻāĻŦাāϰ āĻĒুāύāϰ্āĻŽুāĻĻ্āϰāĻŖ āĻāϰে āĻāĻāĻি āĻুāĻŦ āĻĻāϰāĻাāϰী āĻাāĻ āĻāϰেāĻেāύ।
āϏāϤ্āϝি āĻāĻĨা āĻŦāϞāϤে āĻি āĻāĻ āĻŦāĻāĻি āĻĒāĻĄ়āϤে āĻুāĻŦ āĻ
āĻĻ্āĻুāϤ āϞাāĻে, āϏāĻŦ āĻāĻĨা āϝেāύ āĻŦিāĻļ্āĻŦাāϏāĻ āĻšāϤে āĻাāϝ় āύা। āĻ
āĻĻ্āĻুāϤ āĻāĻ āĻাāϰāύে āϞাāĻে āϝে āĻŽেāĻাāϏ্āĻĨিāύিāϏ āĻāĻŽāύ āĻিāĻু āϤāĻāύāĻাāϰ āĻাāϰāϤ āϏāĻŽ্āĻŦāύ্āϧে āĻŦিāĻŦāϰāĻŖ āĻĻিāϝ়েāĻেāύ āϝা āĻāĻāĻেāϰ āĻĻিāύে āĻĻাঁāĻĄ়িāϝ়ে āĻ
āĻāϞ্āĻĒāύীāϝ় āĻŽāύে āĻšāϝ়।
āϝেāĻŽāύ āĻŽেāĻাāϏ্āĻĨিāύিāϏ āĻŦāϞেāĻেāύ āϝে āĻাāϰāϤে āύাāĻি āĻāĻŽāύ āĻ
āύেāĻ āϞোāĻ āĻিāϞ āϝাāĻĻেāϰ āĻŽুāĻ āĻিāϞāύা। āϤাāϰা āύাāĻি āĻāύ্āϧ āĻļুঁāĻে āύাāĻি āĻŦেঁāĻে āĻĨাāĻāϤ, āĻŽুāĻ āύেāĻ āĻŦāϞে āĻাāĻŦাāϰ āĻেāϤ āύা। āĻāĻŦাāϰ āĻāϰো āĻāĻ āϧāϰāύেāϰ āύাāĻি āϞোāĻ āĻিāϞ āϝাāĻĻেāϰ āĻাāύ āĻŦিāϰাāĻ āϏাāĻāĻেāϰ āĻšāϤো। āĻোāύ āĻāĻ āĻļ্āϰেāĻŖীāϰ āĻŽাāύুāώেāϰ āύাāĻি āϏāĻŦাāϰāĻ āĻāĻāĻি āĻāϰে āĻĒা āĻĨাāĻāϤো। āĻāϏāĻŦেāϰ āϏāϤ্āϝāϤা āĻĒ্āϰāĻŽাāĻŖ āĻāϰা āĻāĻāĻেāϰ āĻĻিāύে āĻĒ্āϰাāϝ় āĻ
āϏāĻŽ্āĻāĻŦ।
āĻ
āύেāĻ āϰāĻāĻŽ āĻ
āĻĻ্āĻুāϤ āĻāύ্āϤুāϰ āĻāĻĨাāĻ āϞিāĻেāĻেāύ। āĻļিāϝ়াāϞেāϰ āĻŽāϤো āϏাāĻāĻেāϰ āύাāĻি āĻāĻ āϰāĻāĻŽেāϰ āĻĒিঁāĻĒāĻĄ়ে āĻিāϞ āϝাāϰা āϏ্āĻŦāϰ্āĻŖ āĻāύি āĻĨেāĻে āϏোāύাāϰ āϰেāύু āĻŽুāĻে āĻāϰে āĻŦাāϰ āĻāϰে āĻāύāϤো। āĻāĻāĻļৃāĻ্āĻ āĻāĻ āϧāϰāύেāϰ āĻĒ্āϰাāĻŖীāϰ āĻāĻĨাāĻ āϞিāĻেāĻেāύ। āϝুāĻĻ্āϧেāϰ āĻ্āώেāϤ্āϰে āĻŦিāĻļেāώāϤ āĻšাāϤিāĻĻেāϰ āĻুāĻŦ āĻāĻĻāϰ āĻিāϞ। āĻাāϰāϤীāϝ় āĻšাāϤিāĻĻেāϰ āϏাāĻ āĻ āύাāĻি āϞিāĻŦিāϝ়াāϰ āĻšাāϤিāĻĻেāϰ āĻেāϝ়েāĻ āĻŦāĻĄ় āĻিāϞ। āĻāĻŦং āϝুāĻĻ্āϧে āϤাāϰা āĻŽাāϰাāϤ্āĻŽāĻ āĻšāϝ়ে āĻāĻ āϤো। āϝুāĻĻ্āϧেāϰ āĻāĻে āĻšাāϤিāĻĻেāϰ āĻŽāĻĻ āĻাāĻāϝ়াāύো āĻšāϤ। āĻšাāϤিāϰা āĻুāĻŦ āĻāύ্āϧ āĻাāϞāĻŦাāϏāϤো। āϤাāϰা āĻĒāĻāύ্āĻĻ āĻŽāϤ āĻāύ্āϧেāϰ āĻĢুāϞ āϏংāĻ্āϰāĻš āĻāϰে āĻāύāϤো āϝা āϤাāĻĻেāϰ āĻাāϰāĻĻিāĻে āĻāĻĄ়িāϝ়ে āĻĻেāϝ়া āĻšāϤো।
āĻāύি āĻāĻ āĻĻেāĻļেāϰ āϏāĻŽাāĻ āĻ āĻŽাāύুāώ āϏāĻŽ্āĻŦāύ্āϧে āĻুāĻŦ āĻঁāĻু āϧāϰāύেāϰ āĻĒ্āϰāĻļংāϏা āĻāϰে āĻিāϝ়েāĻেāύ। āĻāύি āĻŦāϞেāĻেāύ āĻāĻ āĻĻেāĻļ āĻāĻāύো āĻাāĻāĻে āĻāĻ্āϰāĻŽāĻŖ āĻāϰেāύি। āϤāĻāύ āϏাāϰা āĻĒৃāĻĨিāĻŦীāϤে āĻ্āϰীāϤāĻĻাāϏ āĻĒ্āϰāĻĨা āĻুāĻŦāĻ āϏ্āĻŦাāĻাāĻŦিāĻ āĻšিāϏেāĻŦে āĻāĻŖ্āϝ āĻšāϤ āĻিāύ্āϤু āĻāĻ āĻĻেāĻļে āĻোāύ āĻ্āϰীāϤāĻĻাāϏ āĻিāϞāύা। āĻŽাāύুāώ āĻুāĻŦāĻ āϏāĻšāĻ-āϏāϰāϞ āĻিāϞ। āϏāĻŦাāĻ āϏāĻŦাāĻāĻে āĻāϤāĻাāĻ āĻŦিāĻļ্āĻŦাāϏ āĻāϰāϤ āϝে āĻেāĻ āĻাāĻāĻে āĻাāĻা āϧাāϰ āĻĻিāϞে āĻোāύ āĻাāĻāĻāĻĒāϤ্āϰে āϏāĻ āϏাāĻŦুāĻĻ āύেāĻāϝ়া āĻšāϤ āύা। āϞোāĻেāϰ āĻŽুāĻেāϰ āĻāĻĨাāĻ āϝāĻĨেāώ্āĻ āĻিāϞ। āĻুāϰি āĻĒ্āϰাāϝ় āĻিāϞ āύা āĻŦāϞāϞেāĻ āĻāϞে।
āϏāĻŽাāĻে ā§Ē-ā§Ģ āϰāĻāĻŽেāϰ āĻাāϤিāĻেāĻĻ āĻিāϞ। āϤাāϰ āĻŽāϧ্āϝে āĻāĻāĻা āĻুāĻŦ āĻŦāĻĄ় āϏংāĻ্āϝাāϝ় āĻিāϞ āĻৃāώāĻেāϰা। āĻāύি āĻāĻāĻা āĻুāĻŦ āĻĻাāϰুāĻŖ āĻāĻĨা āĻŦāϞেāĻেāύ āϝে āĻĒৃāĻĨিāĻŦীāϰ āĻ
āύ্āϝ āĻাāϝ়āĻাāϝ় āϝāĻāύ āĻāĻāĻি āĻĻেāĻļ āĻ
āύ্āϝ āĻāĻāĻি āĻĻেāĻļāĻে āĻāĻ্āϰāĻŽāĻŖ āĻāϰে āϤāĻāύ āϏেāĻ āĻĻেāĻļেāϰ āĻৃāώি āĻāĻŽিāĻেāĻ āĻ্āĻŦাāϞিāϝ়ে āĻĻেāĻāϝ়া āĻšāϝ়। āĻিāύ্āϤু āĻাāϰāϤে āϝুāĻĻ্āϧেāϰ āϏāĻŽāϝ়āϤেāĻ āĻĒāϰাāĻিāϤ āĻĻেāĻļেāϰ āĻৃāώি āĻāĻŽি āĻ
āĻĨāĻŦা āĻৃāώāĻেāϰ āĻোāύ āĻ্āώāϤি āĻāϰা āĻšāϤ āύা। āĻেāύāύা āϤাāϤে āĻĻেāĻļেāϰ āĻļāϏ্āϝ āĻাāύ্āĻĄাāϰেāĻ āĻাāύ āĻĒāĻĄ়āĻŦে।
āĻĻেāĻļে āĻļিāϞ্āĻĒীāĻĻেāϰ āĻুāĻŦ āϏāĻŽ্āĻŽাāύ āĻিāϞ। āĻাāϰুāϰ āĻŽাāĻĨাāϰ āĻুāϞ āĻেāĻে āύেāϝ়া āϏāϰ্āĻŦোāĻ্āĻ āĻļাāϏ্āϤি āĻিāϞ। āĻŽিāĻĨ্āϝা āϏাāĻ্āώ্āϝ āĻĻেāĻāϝ়া āĻĻāĻŖ্āĻĄāύীāϝ় āĻ
āĻĒāϰাāϧ āĻিāϞ। āϤাāϰ āĻāύ্āϝ āĻŽৃāϤ্āϝুāĻĻāĻŖ্āĻĄ āĻ
āĻŦāϧি āĻĻেāϝ়া āĻšāϤো।
āĻĒুāϰুāώেāϰা āĻŦāĻšুāĻŦিāĻŦাāĻš āĻāϰāϤেāύ। āĻāĻŦাāϰ āϰাāĻাāϰ āϏৈāύ্āϝ āĻĻāϞে āύাāϰী āϏৈāύিāĻāϰা āĻ āĻĨাāĻāϤেāύ।। āϰাāĻা āϝāĻāύ āĻļিāĻাāϰে āϝেāϤেāύ āϏāĻļāϏ্āϤ্āϰ āύাāϰী āϏৈāύিāĻেāϰা āĻāĻে āĻāĻে āϝেāϤেāύ। āϰাāĻা āϏাāϰা āĻĻিāύে āĻুāĻŽোāϤে āĻĒাāϰāϤেāύ āύা। āĻāĻŽāύ āĻি āϰাāϤেāĻ āĻিāĻুāĻ্āώāĻŖ āĻ
āύ্āϤāϰ āĻ
āύ্āϤāϰ āώāĻĄ়āϝāύ্āϤ্āϰেāϰ āĻāϝ় āϤাঁāĻে āĻŦিāĻাāύা āĻĒাāϞ্āĻে āĻĒাāϞ্āĻে āĻļুāϤে āĻšāϤো।
āĻāĻ āĻŦāĻāϤে āĻŽেāĻাāϏ্āĻĨিāύিāϏ āĻāĻāĻāύ āϏāύ্āύ্āϝাāϏীāϰ āĻāĻāĻি āĻ
āϏাāϧাāϰāĻŖ āĻাāĻšিāύী āϰ āĻāĻĨা āϞিāĻেāĻেāύ। āĻāϞ্āĻĒ āύāϝ় āϏāϤ্āϝ āĻāĻāύা।
āϏেāĻ āϏāĻŽāϝ় āĻāĻāĻāύ āϏāύ্āύ্āϝাāϏী āĻিāϞেāύ āϝাāϰ āύাāĻŽ āĻিāϞ āĻĻāĻŖ্āύ্āĻĻ্āĻŦāĻŽিāĻļ। āϤিāύি āĻĒāϰ্āĻŖ āĻļāϝ্āϝাāϝ় āĻļāϝ়āύ āĻāϰāϤেāύ , āĻ
āϰāĻŖ্āϝেāϰ āĻĢāϞāĻŽূāϞ āĻেāϤেāύ , āĻāϰ্āύাāϰ āĻāϞ āĻĒাāύ āĻāϰāϤেāύ। āϤাঁāϰ āĻ
āϏাāϧাāϰāĻŖ āĻ্āĻাāύ āĻ āĻ্āώāĻŽāϤাāϰ āĻāĻĨা āϤāĻāύāĻাāϰ āĻ্āϰিāĻ āϏāĻŽ্āϰাāĻ āĻāϞেāĻāĻাāύ্āĻĄাāϰ āĻĻি āĻ্āϰেāĻ āĻāϰ āĻ āĻাāύে āĻĒৌঁāĻāϝ়। āĻāϞেāĻāĻাāύ্āĻĄাāϰ āϤাঁāĻে āϏৈāύ্āϝ āĻĻিāϝ়ে āĻĄেāĻে āĻĒাāĻ াāύ āϤাঁāϰ āϏāĻ্āĻে āĻĻেāĻা āĻāϰāϤে āύিāϝ়ে āϝাāĻāϝ়াāϰ āĻāύ্āϝ।
āĻāϞেāĻāĻাāύ্āĻĄাāϰেāϰ āϏৈāύ্āϝāϰা āϝāĻāύ āϤাঁāĻে āĻিāϝ়ে āĻŦāϞে āϝে āĻāĻĒāύি āĻāĻŽাāĻĻেāϰ āϏāĻ্āĻে āĻāĻāύāĻ āϏāĻŽāϏ্āϤ āĻĒৃāĻĨিāĻŦীāϰ āĻ
āϧীāĻļ্āĻŦāϰ āϏāĻŽ্āϰাāĻ āĻāϞেāĻāĻাāύ্āĻĄাāϰেāϰ āϏāĻ্āĻে āĻĻেāĻা āĻāϰāϤে āĻāϞুāύ। āϏāĻŽ্āϰাāĻ āĻŦāϞেāĻেāύ āϤিāύি āĻāĻĒāύাāĻে āϝāĻĨেāώ্āĻ āϏāĻŽাāĻĻāϰ āĻāϰāĻŦেāύ।
āϏāύ্āύ্āϝাāϏী āĻāϞেāĻāĻাāύ্āĻĄাāϰেāϰ āĻŦাāϰ্āϤাāĻŦাāĻšāĻেāϰ āĻāĻĨা āĻিāĻু āĻŽাāϤ্āϰ āĻĒাāϤ্āϤা āύা āĻĻিāϝ়ে āϏেāĻ āĻĒাāϤাāϰ āĻļāϝ্āϝাāϝ় āĻļুāϝ়ে āĻļুāϝ়ে āĻ āĻŦāϞেāύ āϝে āĻĻ্āϝাāĻো, āϏāύ্āύ্āϝাāϏীāϰ āĻāĻŦাāϰ āϏāĻŽ্āϰাāĻ āĻে? āĻāĻŽাāϰāĻ āϝে āϰাāĻা āĻāĻ āĻāϞেāĻāĻাāύ্āĻĄাāϰেāϰ āĻ āϏেāĻ āĻāĻāĻ āϰাāĻা। āϤিāύি āĻšāϞেāύ āϏ্āĻŦāϝ়ং āĻāĻļ্āĻŦāϰ। āύা āϤোāĻŽাāϰ āϏāĻŽ্āϰাāĻ āĻে āĻāĻŽাāϰ āĻĒ্āϰāϝ়োāĻāύ āύা āϤাāϰ āĻĻেāĻāϝ়াāϰ āϏāĻŽাāĻĻāϰেāϰ āĻāĻŽাāϰ āĻিāĻু āĻŽাāϤ্āϰ āĻĻāϰāĻাāϰ āĻāĻে।
āĻāĻ āĻĒাāϰ্āĻĨিāĻŦ āĻĒৃāĻĨিāĻŦীāϰ āĻোāύ āĻিāĻুāϰ āĻĒ্āϰāϤি āĻāĻŽাāϰ āĻোāύ āĻāĻāϰ্āώāĻŖ āύেāĻ। āĻāĻŽাāϰ āϝা āĻĻāϰāĻাāϰ āϤাāϰ āĻāύ্āϝ āϝāĻĨেāώ্āĻ āĻĢāϞāĻŽূāϞ āĻ āĻĒাāύীāϝ় āĻāϞ āĻĒ্āϰāĻৃāϤি āĻāĻŽাāϝ় āĻĻেāϝ়।
āĻāϞেāĻāĻাāύ্āĻĄাāϰেāϰ āϏৈāύ্āϝāϰা āĻāϝ় āĻĻেāĻাāϝ় āϝে āϏāĻŽ্āϰাāĻেāϰ āϏāĻ্āĻে āύা āĻĻেāĻা āĻāϰāϤে āĻেāϞে āϏāύ্āύ্āϝাāϏীāϰ āĻĒ্āϰাāĻŖāĻĻāĻŖ্āĻĄ āĻĒāϰ্āϝāύ্āϤ āĻšāϤে āĻĒাāϰে।
āϏāύ্āύ্āϝাāϏী āĻāϤ্āϤāϰে āĻŦāϞেāύ āϝে āϤাāĻšāϞে āϤো āĻŦāϰং āĻাāϞোāĻ āĻšāϝ়। āĻāĻŽি āĻāĻ āĻীāϰ্āĻŖ āĻŦāϏ্āϤ্āϰেāϰ āĻŽāϤো āĻļāϰীāϰāĻাāĻে āĻĒāϰিāϤ্āϝাāĻ āĻāϰে āĻāĻļ্āĻŦāϰেāϰ āĻাāĻে āĻāϞে āϝেāϤে āĻĒাāϰāĻŦো। āĻেāύāύা, āĻļāϰীāϰেāϰ āĻŦিāύাāĻļ āĻšāϝ় āĻিāύ্āϤু āĻāϤ্āĻŽাāϰ āϤোāĻোāύ āĻŦিāύাāĻļ āĻšāϝ় āύা।। āϤুāĻŽি āĻিāϝ়ে āϤোāĻŽাāϰ āϏāĻŽ্āϰাāĻ āĻে āĻাāύিāϝ়ে āĻĻাāĻ āϝে āϏāύ্āύ্āϝাāϏী āĻŦāϞেāĻেāύ āĻāύি āĻāϏāϤে āĻĒাāϰāĻŦেāύ āύা।
āĻāϞেāĻāĻাāύ্āĻĄাāϰ āĻĒāϰে āĻিāϝ়ে āύিāĻে āĻāύাāϰ āϏāĻ্āĻে āĻĻেāĻা āĻāϰেāĻিāϞেāύ āĻ āϝāĻĨাāϝāĻĨ āϏāĻŽ্āĻŽাāύ āĻĻিāϝ়েāĻিāϞেāύ।
āĻāĻা āĻĒ্āϰāĻŽাāĻŖ āĻāϰে āϝে āϤāĻāύāĻাāϰ āĻĻিāύেāĻ āĻিāĻু āĻŽাāύুāώ āĻিāϞেāύ āϝাāϰা āϏিāϏ্āĻেāĻŽāĻে āĻāϝ় āĻĒেāϤেāύ āύা।
āĻāĻ āĻŦāĻāĻাāϤে āĻāĻāĻাāĻ āĻļুāϧু āĻāĻāĻু āĻ
āϏুāĻŦিāϧা āĻšāϝ়। āϏেāĻা āĻšāϞো āĻŦাāϰāĻŦাāϰ āĻāĻāĻ āĻāĻĨা āĻŦāϞা āĻšāϝ়েāĻে। āĻŽূāϞ āϞেāĻাāĻুāϞিāϰ āĻĒ্āϰāϤি āϤāĻĨ্āϝāύিāώ্āĻ āĻĨাāĻāϤে āĻিāϝ়ে āϝেāĻাāύে āϝিāύি āϝা āύিāϝ়েāĻেāύ āĻŽেāĻাāϏ্āĻĨিāύিāϏেāϰ āĻŽূāϞ āϞেāĻা āĻĨেāĻে āϏেāĻাāĻেāĻ āĻāύি āύিāĻেāϰ āĻŦāĻāϤে āϏ্āĻĨাāύ āĻĻিāϝ়েāĻেāύ। āĻāĻāĻ āϤāĻĨ্āϝ āĻŦাāϰāĻŦাāϰ āĻāϏেāĻে।
āĻĻ্āĻŦিāϤীāϝ় āĻāĻĨা āĻĒাāĻ āĻ āĻšিāϏেāĻŦে āĻāϰāĻ āĻিāĻু āĻাāύাāϰ āĻিāϞ āĻāĻŽাāĻĻেāϰ। āϝেāĻŽāύ āĻāύ্āĻĻ্āϰāĻুāĻĒ্āϤ āĻŽৌāϰ্āϝ āĻŽাāύুāώ āĻেāĻŽāύ āĻিāϞেāύ। āĻ
āĻĨāĻŦা āϤাঁāϰ āĻুāϰু āĻাāĻŖāĻ্āϝ āĻৌāĻিāϞ্āϝ। āĻŽৌāϰ্āϝ āϰাāĻ āϏāĻা āĻেāĻŽāύ āĻিāϞ। āĻāϏāĻŦ āĻĒ্āϰāĻļ্āύেāϰ āĻāϤ্āϤāϰ āĻĒেāϞাāĻŽ āύা।
āĻāĻŽাāϰ āĻŽāύে āĻšāϝ় āĻāĻ āĻŦāĻāĻিāϰ āĻ
āĻŦিāϞāĻŽ্āĻŦে āĻāĻāĻি āĻিāĻļোāϰ āϏংāϏ্āĻāϰāĻŖ āĻĒ্āϰāĻাāĻļ āĻāϰা āĻāĻিāϤ। āϤাāĻšāϞে āĻāĻāĻেāϰ āĻোāĻāϰা āĻāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻāϤিāĻšাāϏāĻে āĻাāύāϤে āĻļিāĻāĻŦে। āĻŦāĻāĻিāϰ āĻĻাāĻŽ ā§Šā§Ģā§Ļ āĻাāĻা।
THE DHARMA OF JUSTICE IN SANSKRIT EPICS DEBATES ON GENEDRE VARNA SPECIES BY RUTH VANITA OXFORD - 2026
In this book, I show how in the Mahabharata, there are teachers of dharma from all four varnas. Sanjaya the charioteer, a manual worker classified as a shudra, plays a pivotal role. He instructs the king about the geography of India and instructs him on dharma. In the Gita, he is the parallel to Krishna as the external charioteer or guide, and as eternal witness (sÄkášŖi), the inner self. He is the only one apart from Arjuna who sees the divine universal form. The Gita concludes with his beautiful expression of rapture as he remembers this vision. No wonder his name (which means "with victory"), like Arjuna's, remains one of the most popular Indian names. THE
āĻোāĻĒাāĻ āύāĻĻীāϰ āĻাāĻĻা āĻĒাāϝ়ে” - MOLOY MUKHOPADHYAY ED -KOPAI NADIR KADA PAYE - 2026
āĻĒ্āϰāĻļ্āύ āĻāĻ েāĻে āĻোāĻো āύāĻĻী āĻোāĻĒাāĻ āĻেāύ āĻāĻ āĻ্āώāĻŖে āĻ্āώāĻŖে āĻš’āϝ়ে āĻāĻ ে āĻোāĻĒāĻŦāϤী, āĻāϰ āϤাāϰ āĻ
āĻŦāĻŦাāĻšিāĻা āĻ
āĻ্āĻāϞেāϰ āĻĒ্āϰাāύ্āϤে āĻĒ্āϰাāύ্āϤে āĻ্āώāϝ়ে āϝাāĻāϝ়া āϰুāĻ্āώ āĻোāϝ়াāĻ-āĻāϰ āĻোāĻĒāĻĒ্āϰāĻাāĻļ āĻেāύ āĻŦিāϏ্āϤাāϰ āϞাāĻ āĻāϰেāĻে? āĻāϏāϞ āĻāĻĨা āĻš’āϞ, āĻŽাāύুāώ āĻāϰ্āϤৃāĻ āĻূāĻŽি āĻāϰ āĻāϞেāϰ āĻ
āĻĒāĻŦ্āϝāĻŦāĻšাāϰāĻ āĻāĻ āĻĻāĻļাāϰ āĻāύ্āϝ āĻĒুāϰোāĻĒুāϰি āĻĻাāϝ়ী। āĻিāύ্āϤু āĻāĻāύো āϏāĻŽāϝ় āĻāĻে। āĻĻেāĻļāĻে āĻ āĻĻāĻļāĻে āĻŦাঁāĻাāϤে āĻš'āϞে āĻāĻāĻেāϰ āĻĻিāύেāϰ āĻāĻļু āĻĒ্āϰāϝ়োāĻāύ āĻš'āϞ āĻāĻ āϝে āĻোāĻĒাāĻ-āĻāϰ āĻŽāϤো āĻোāĻো āĻোāĻো āĻ
āϏংāĻ্āϝ āύāĻĻীāύাāϞাāĻে āϏুāϰāĻ্āώিāϤ āĻāϰা āĻāϰ āϧāϰাāĻে āĻŦৃāĻ্āώাāĻŦৃāϤ āĻāϰা। āĻāϰ āĻāύ্āϝ āĻাāĻ āύāĻĻীāϰ āϏāĻ্āĻে āĻĒ্āϰāĻৃāϤ āϏāĻŽ্āĻোāϤা, āĻাāĻ āϤাāϰ āϏāĻ্āĻে āĻļুāĻāϏāĻŽ্āĻাāώāĻŖ, āύāĻĻীāϰ āĻোāϞে āĻোāϞে āĻাāĻ āĻĻিāĻāύ্āϤāĻŦ্āϝাāĻĒী āĻাāύāύāϏ্āĻŦāĻāύ, āĻাāĻ āϏāĻŦুāĻেāϰāϏ্āύিāĻ্āϧ āĻāĻŦāϰāĻŖ, āĻāϞ āĻ āĻূāĻŽিāϰāĻ্āώāĻŖেāϰ āϏুāĻŦāύ্āĻĻোāĻŦāϏ্āϤ, āϝা āϤāĻāϏ্āĻĨ āĻāύāϏাāϧাāϰāĻŖ āύিāĻেāϰাāĻ āĻ
āϤি āϏāĻšāĻে āĻāϰāϤে āĻĒাāϰে। āĻ
āϤāĻāĻŦ āĻাāĻ āĻāύāĻāĻŖāĻŽাāύāϏে āĻĒāϰিāĻŦেāĻļ āĻেāϤāύাāϰ āĻাāĻāϰāĻŖ।
āĻ্āϰাāĻŽীāĻŖ āĻāĻŖāĻŽাāύāϏিāĻāϤাāϝ় āĻĒ্āϰাāĻৃāϤāĻŦিāĻ্āĻাāύ āĻাāĻŦāύা āĻāĻĻ্āĻĻীāĻĒিāϤ āĻāϰাāϰ āĻļুāĻ āĻāĻĻ্āĻĻেāĻļ্āϝে āϏāĻĻ্āϝāϏৃāώ্āĻ āĻŦিāĻļ্āĻŦāĻাāϰāϤীāĻেāύ্āĻĻ্āϰিāĻ āĻ
āĻিāϞ āĻাāϰāϤ āĻূāĻŦিāĻĻ্āϝা āĻ āĻĒāϰিāĻŦেāĻļ āϏāĻŽিāϤিāϰ āĻāĻ āĻ
āϤিāϏāĻ্āϰিāϝ় āĻোāώ্āĻ ী āύিāϤাāύ্āϤ āϏ্āĻŦেāĻ্āĻাāĻĒ্āϰāĻŖোāĻĻিāϤ āĻš'āϝ়ে āĻ āĻĒুāϰোāĻĒুāϰি āύিāĻāĻŦ্āϝāϝ়ে ⧧⧝⧝⧧ āϏাāϞেāϰ āϏাāϰাāĻাāϰāϤ āĻĒāϰ্āϝাāĻŦāϰāĻŖāĻেāϤāύাāϰ āĻĒ্āϰāϏাāϰ āĻĒ্āϰāĻāϞ্āĻĒে āϏাāĻŽিāϞ āĻš'āϝ়ে āĻā§āϏāĻŽুāĻ āĻĨেāĻে āĻļুāϰু āĻ'āϰে āĻŦāĻ্āϰেāĻļ্āĻŦāϰেāϰ āϏāĻ্āĻে āĻŽিāϞāύāϏ্āĻĨāϞ āĻĒāϰ্āϝāύ্āϤ āĻāĻāĻļ āĻĻāĻļ āĻিāϞোāĻŽিāĻাāϰ āĻŦ্āϝাāĻĒী āĻĒāĻĻāϝাāϤ্āϰা āĻāĻāĻĻিāύে (ā§§ā§Ē-⧍⧍ āύāĻেāĻŽ্āĻŦāϰ ⧧⧝⧝⧧) āϏুāϏāĻŽ্āĻĒāύ্āύāĻļেāώে āĻĒাāϤিāϝ়েāĻেāύ āϤাঁāϰা āϏাā§°্āĻĨāĻ āĻŽিāϤাāϞি āĻোāĻো āύāĻĻী āĻোāĻĒাāĻ āϤāĻĨা āϤāĻāϏ্āĻĨ āĻāĻŖāĻŽাāύāϏেāϰ āϏāĻ্āĻে, āĻāϰ āĻāĻ āϏāĻ্āĻে āϤাঁāϰা āĻ
āϰ্āĻāύ āĻāϰāϞেāύ āĻāĻŽাāĻĻেāϰ āύāĻŦāϏāĻŽিāϤিāϰ āĻ
āĻুāĻŖ্āĻ āϏাāϧুāĻŦাāĻĻ।
āĻāĻ āĻĒāĻĻāϝাāϤ্āϰাāϰ āϤাā§āĻ্āώāĻŖিāĻ āĻĢāϞāĻļ্āϰুāϤি āĻšিāϏাāĻŦে āĻĒ্āϰāĻাāĻļিāϤ āĻš'āϞ āĻāĻ āĻোāĻো āĻĒুāϏ্āϤিāĻা “। āĻোāĻĒাāĻ āĻ
āĻিāϝাāύে āĻĒāĻĻāϝাāϤ্āϰী āĻšিāϏাāĻŦে āĻļুāϧু āϝে āϝুāĻŦāϏāĻŽ্āĻĒ্āϰāĻĻাāϝ়āĻ āϏাāĻŽিāϞ āĻšāϝ়েāĻে āϤা āύāϝ়, āĻāĻিāĻাāĻা āĻĨেāĻে āĻŦāϝ়āϏ্āĻ āĻĒāϰ্āϝāύ্āϤ āĻ
āύেāĻে āϏāĻŽāĻŽāĻāύāϏ্āĻ āĻš'āϝ়ে āϰāĻāύা āĻāϰেāĻে āĻŦিāĻāϤেāϰ āϏāĻ্āĻে āĻ
āύাāĻāϤেāϰ āϏাāϰ্āĻĨāĻ āϏāĻŽāύ্āĻŦāϝ়। āĻেāύāύা āĻāĻ āϏুāύ্āĻĻāϰ āĻ
āĻি-āϝাāϤ্āϰাāϝ় āϏāĻŦāĻেāϝ়ে āĻোāĻো āĻĒāĻĻাāϤিāĻা āĻāϤুāϰ্āĻĨāĻŦāϰ্āώিāĻŖী āϤāύāϝ়া āϤাāĻšিāϤি āĻŽুāĻোāĻĒাāϧ্āϝাāϝ় āϤাāϰ āĻোāĻো āĻোāĻো āĻĒāĻĻāĻ্āώেāĻĒে āĻāĻŽাāĻĻেāϰ āĻোāĻো āύāĻĻী āĻোāĻĒাāĻ-āĻāϰ āĻāϞāύাāĻĻāĻে āĻļিāĻ্āĻিāϤ āĻ'āϰে āĻুāĻĄ়িāϝ়ে āύিāϝ়েāĻে āϏāĻŦাāĻাāϰ āĻāϤ āĻļāϤ āĻāϰāϤাāϞি।" --āĻļিāĻŦāĻĒ্āϰāϏাāĻĻ āĻĻাāĻļāĻুāĻĒ্āϤ
________________________
āĻĒ্āϰাāĻĒ্āϤিāϏ্āĻĨাāύ-
Whatsapp - 9475453795
āĻāϞেāĻāϏ্āĻ্āϰিāĻ: āĻĒ্āϰāϤিāĻ্āώāĻŖ, āĻĻে āĻŦুāĻāϏ্āĻোāϰ (āĻĻীāĻĒু), āĻĒ্āϞ্āϝাāĻāĻĢāϰ্āĻŽ, āĻāϞ্āĻĒāĻুāĻ্āĻ, āϧ্āϝাāύāĻŦিāύ্āĻĻু। āϏোāĻĻāĻĒুāϰ: āĻĒাāĻĒাāĻ্āĻুāϞ āĻāϰ। āĻļ্āϰীāϰাāĻŽāĻĒুāϰ: Vestpocket āĻļাāύ্āϤিāύিāĻেāϤāύ: āϰাāĻŽāĻৃāώ্āĻŖ āĻŦুāĻ āϏ্āĻোāϰ, āϏুāĻŦāϰ্āĻŖāϰেāĻা, āĻŦāĻāĻāϰ āĻļাāύ্āϤিāύিāĻেāϤāύ। āĻŦāϰ্āϧāĻŽাāύ: āύāĻŦāύী āĻŦুāĻāϏ্āĻāϞ, āϰেāϞāĻāϝ়ে āĻšুāĻāϞাāϰ āϏ্āĻāϞ। āĻŦাংāϞাāĻĻেāĻļ: āĻŦুāĻŦুāĻ, āĻŦাāϤিāĻāϰ, āϤāĻ্āώāĻļীāϞা।
āĻ
āύāϞাāĻāύ: birutjatio.org, Amazon
đĻAmazon
https://amzn.in/d/06brXhuv
Monday, 8 June 2026
The orality theory of everything - Derek Thompson - 2026
Mass literacy restructured our consciousness, and now the rise of social media is again transforming what it feels like to be a thinking person, Derek Thompson argues. https://theatln.tc/PcAKPyxO
This idea can be characterized by , which emerged from the work of mid-20th-century media theorists, especially Walter Ong and Marshall McLuhan. “They argued that the invention of the alphabet and the rise of literacy were among the most important events in human history,” Thompson writes. These developments moved communications from an age of orality—in which all information was spoken, and all learning was social—to an age of literacy, in which writing could fix words in place, and develop ever more complicated ideas that would have been impossible to memorize.
“The age of orality was an age of social storytelling and flexible cultural memory. The age of literacy made possible a set of abstract systems of thought—calculus, physics, advanced biology, quantum mechanics—that form the basis of all modern technology,” Thompson writes. Now the current demise of literate culture—exemplified by the growing prevalence of social media and decline in reading—may be signaling a return to orality that is once again transforming the human experience, he argues.
At the link, read Thompson’s discussion with Bloomberg’s Joe Weisenthal about how the concepts of orality and literacy are shaping nearly everything we know.
The Monster in Your Path: The Private Life of Caste in India, by Sharika Thiranagama. Permanent Black - 2026
"Caste relations in contemporary Kerala are characterised as the remnants of the past, out of sync with its newly modern citizenry. It is a ghost to be banished. Languages of class have replaced caste."
https://scroll.in/.../this-book-asks-why-kerala-long...
An excerpt from ‘
#bookexcerpt
Homes without Windows - Chandu Maheria -2026
Reading Homes without Windows, I frequently experienced flashes of deja vu. Although unlike , I grew up in a village setting in Maharashtra, the experiences of Dalits are essentially not very dissimilar. In addition, I was well acquainted with places and most people that figure in the book. It evoked memories of my own encounters with caste and communal violence in Gujarat.
One episode returned vividly to mind: during the anti-reservation riots of 1981, while I was a student at IIM Ahmedabad, I found myself trapped by a mob in Bapunagar. The IIM campus was an elitist island that remained insulated even when the city around it burned. Yet the social activist in me often ventured into working-class neighbourhoods to understand events first hand. I had befriended several Dalit activists across Ahmedabad and regularly attended their meetings.
One afternoon, in the thick of the riots, riding my Vijay scooter towards the Buddha Vihar in Bapunagar, I was stopped by half a dozen men armed with sticks and wearing the ferocious expressions of a riotous mob. When I told them where I was headed, they began manhandling me and seized my scooter. For a few moments, I genuinely thought I might become the next day’s newspaper headline. Suddenly, however, a group of 15 to 20 Dalit youths, blue scarves tied around their foreheads, emerged from a nearby basti. The attackers quickly dispersed, and I was saved.
Read more on thewire.
END OF EMPIRES AND A WORLD REMADE ; A GLOBAL HISTORY OF DECOLONIZATION BY THOMAS MARTIN - 2026
In The End of Empires and a World Remade, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration.
Out now in #paperback.
Read a free excerpt of this expansive history here: https://hubs.ly/Q04kl9W90
Gentle setting of the Empire's sun-prisons, prisoners & forgotten stories of India's freedom struggle Raghuvendra Tanwar - 2026
Gentle setting of the Empire's sun-prisons, prisoners & forgotten stories of India's freedom struggle Raghuvendra Tanwar - 2026
The Birth of Indian Liberalism : Mama Parmanand’s Letters to an Indian Raja by Rahul Sagar - 2026
First published in 1891, Letters to an Indian Raja is the earliest work of political theory written and published in modern India. Addressed to the rulers of the Native States, it argued – radically for its time – that constitutional government, individual liberty, and social reform were not foreign impositions but essential to India’s moral and political regeneration. Its author, Narayan Mahadev Parmanand, a reclusive yet influential thinker revered by his contemporaries as a “political rishi”, envisioned enlightened monarchs as agents who could free individuals from the grip of custom, hierarchy, and community – as well as both colonial domination and princely despotism.
Long forgotten, Letters to an Indian Raja overturns the assumption that Indian liberalism was merely derivative or conciliatory. It reveals instead a confident, original tradition of liberal thought rooted in Indian conditions and aimed at making the Native States models of reform that could challenge the legitimacy of British rule itself. That this ambition was eclipsed by the rise of mass nationalism explains why the book slipped from view – despite once being widely read by princes, administrators, and reformers.
In this landmark volume, political theorist Rahul Sagar restores Letters to an Indian Raja to its rightful place in intellectual history. His incisive introduction reconstructs Parmanand’s life, ideas, and political world, and shows why scholars have long been looking in the wrong place for the origins of Indian liberalism.
Together, text and interpretation reframe the history of Indian liberalism, revealing it not as an echo of British ideas, but as an indigenous political project with its own ambitions and horizons.
@juggernaut.in
Sunday, 7 June 2026
Shaan Kashyap . WHO OWNS THE PAST. 2026
History researchers in their early years of learning the craft, rarely dare to venture out for grand sweeps. does.
History text books are written and rewritten when historians and governments collaborate.
Looking at writing history text books, its a study at the interface between government establishments, ideology and knowledge production from the late 19th century to the 2020s in India.
Ambitious in scope, sweeping in approach. Relevant. Lucidly written. An attempt to address both non-academic and academic readers.
Looking forward to indulge.
Many congratulations Shaan! Wonderful achievement! This is your first. Many more to come.
Lesya Ukrainka, Forest Song and Other Works. Translated into Bengali by Mridula Ghosh. Cover by Tarpan Sarkar. 2026
āĻĒ্āϰāĻাāĻļিāϤ āĻšāϞ:
āϞেāϏিā§া āĻāĻ্āϰাāĻāĻ্āĻা, āĻāϰāĻŖ্āϝ āϏāĻ্āĻীāϤ āĻ āĻ
āύ্āϝাāύ্āϝ āϰāĻāύা।
āĻŽূāϞ āĻāĻ্āϰাāĻāύীā§ āĻĨেāĻে āĻ
āύুāĻŦাāĻĻ: Mridula Ghosh āĻŽৃāĻĻুāϞা āĻোāώ।
āĻĒ্āϰāĻ্āĻāĻĻ: āϤāϰ্āĻĒāĻŖ āϏāϰāĻাāϰ।
āĻĒৃ ā§Šā§Šā§¯, āĻĻাāĻŽ ā§Ģā§Ļā§Ļ āĻাāĻা।
āĻāĻ āĻŦāĻāĻি ĐŖĐēŅаŅĐŊŅŅĐēиК ŅĐŊŅŅиŅŅŅ ĐēĐŊĐ¸ĐŗĐ¸ Ukrainian Book Institute-āĻāϰ āĻ
āϰ্āĻĨাāύুāĻূāϞ্āϝে āĻĒ্āϰāĻাāĻļিāϤ।
Now out:
339 pp, INR 500.
The publication was supported by a grant from the ĐŖĐēŅаŅĐŊŅŅĐēиК ŅĐŊŅŅиŅŅŅ ĐēĐŊĐ¸ĐŗĐ¸ Ukrainian Book Institute, under the framework of the 'Translate Ukraine' project.
Friday, 5 June 2026
Discovery of Bangladesh: Explorations into Dynamics of a Hidden Nation’ - AKBAR ALI KHAN - 2026
āĻŦাংāϞাāĻĻেāĻļ āĻ
āĻ্āĻāϞে āĻāϏāϞাāĻŽেāϰ āĻŦিāϏ্āϤাāϰেāϰ āϏাāĻĢāϞ্āϝেāϰ āĻাāϰāĻŖ āĻŦিāώā§ে āϝে āĻā§āĻি āϤāϤ্āϤ্āĻŦ āĻĒ্āϰāĻāϞিāϤ āĻāĻে, āĻāĻāĻŦāϰ āĻāϞি āĻাāύেāϰ ‘Discovery of Bangladesh: Explorations into Dynamics of a Hidden Nation’ āϤাāϰ āĻŽাāĻে āĻ
āύ্āϝāϤāĻŽ। āĻāĻāĻŦāϰ āĻāϞি āĻাāύ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ্āϰাāĻŽāϏāĻŽাāĻেāϰ āĻāĻ āύ, āĻāϰ āϏাāĻĨে āĻাāϰāϤেāϰ āĻŦাāĻি āĻ
āĻ্āĻāϞāĻুāϞোāϰ āĻĒাāϰ্āĻĨāĻ্āϝ, āĻĒ্āϰাāĻৃāϤিāĻ āϏāĻŽ্āĻĒāĻĻেāϰ āĻĒ্āϰাāĻĒ্āϤিāϰ āϏাāĻĨে āĻ্āώāĻŽāϤাāĻাāĻ াāĻŽোāϰ āĻā§āύেāϰ āϏāĻŽ্āĻĒāϰ্āĻ āĻāĻŦং āĻāĻা āĻীāĻাāĻŦে āĻ
āĻ্āĻāϞেāϰ āĻ
āϧিāĻŦাāϏীāĻĻেāϰ āĻŽāύāϏ্āϤ্āĻŦāϤ্āĻŦ āĻā§ে āĻĻিā§েāĻে, āϤা āύিā§ে āĻāĻāĻি āĻĒূāϰ্āĻŖাāĻ্āĻ āϤাāϤ্āϤ্āĻŦিāĻ āĻাāĻ াāĻŽো āĻā§ে āϤুāϞেāĻেāύ āϤাঁāϰ āĻāϞোāĻিāϤ āĻ āĻ্āϰāύ্āĻĨāĻিāϤে।
āĻĒূāϰ্āĻŦ-āĻŦাংāϞা āĻāĻŽāύ āĻāĻāĻি āĻূāĻāĻŖ্āĻĄ, āϝা āĻĒঁāĻিāĻļ āĻŦāĻāϰেāϰāĻ āĻāĻŽ āϏāĻŽā§ে āĻĻুāĻŦাāϰ āϤাāϰ āϰাāώ্āĻ্āϰāĻĒāϰিāĻā§ āĻĒāϰিāĻŦāϰ্āϤāύ āĻāϰেāĻে। āĻ āĻাāϤিāϰ āϏাāĻŽ্āĻĒ্āϰāϤিāĻ āĻāϤিāĻšাāϏেāϰ āύাāύাāύ āĻāĻāύা āĻāϤিāĻšাāϏিāĻāĻĻেāϰāĻেāĻ āĻŦিāĻ্āϰাāύ্āϤ āĻāϰে। āĻ āĻāĻŦেāώāĻŖাāĻি āĻ āϰāĻšāϏ্āϝāĻŽā§ āĻাāϤিāϰ āĻāϤিāĻšাāϏিāĻ āĻļেāĻā§ āĻ
āύ্āĻŦেāώāĻŖ āĻāϰেāĻে। āĻĒāĻĻ্āϧāϤিāĻāϤ āĻĻিāĻ āĻĻিā§ে āĻ āĻŦāĻāĻি āĻĻুāĻাāĻŦে āĻŦাংāϞাāĻĻেāĻļ āĻ
āϧ্āϝā§āύেāϰ āĻ্āώেāϤ্āϰে āύāϤুāύ āĻŽাāϤ্āϰা āϝোāĻ āĻāϰেāĻে। āĻĒ্āϰāĻĨāĻŽāϤ, āĻāϤিāĻšাāϏিāĻ āĻাāĻ াāĻŽোāϰ āĻ
āύ্āϤāϰ্āύিāĻšিāϤ āϤāϤ্āϤ্āĻŦāĻুāϞোāĻে āϏ্āĻĒāώ্āĻ āĻāϰে āĻŦিāĻļ্āϞেāώāĻŖ āĻāϰাāϰ āĻŽাāϧ্āϝāĻŽে āĻ āĻাāϤিāϰ āĻāϤিāĻšাāϏিāĻ āĻŦিāĻŦāϰ্āϤāύ āĻŦ্āϝাāĻ্āϝা āĻāϰাāϰ āĻĒ্āϰāĻেāώ্āĻা āĻāϰা āĻšā§েāĻে āĻ āĻāĻŦেāώāĻŖাāϤে। āĻĻ্āĻŦিāϤীā§āϤ, āĻŦāĻāĻি āĻ āĻ
āĻ্āĻāϞেāϰ āϏাāĻŽাāĻিāĻ āĻ āϰাāĻāύৈāϤিāĻ āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āĻিāϤ্āϤিāĻাāĻ াāĻŽোāϰ āĻāĻĒāϰ āĻāϞোāĻāĻĒাāϤ āĻāϰাāϰ āĻেāώ্āĻা āĻāϰেāĻে। āϤৃāĻŖāĻŽূāϞāĻĒāϰ্āϝাā§েāϰ āĻ্āώুāĻĻ্āϰ āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āĻŦিāĻļ্āϞেāώāĻŖ āĻĻিā§ে āĻļুāϰু āĻāϰে āĻ āĻ
āĻ্āĻāϞে āϰাāĻāύৈāϤিāĻ āĻŦিāĻাāĻāύ, āĻ
āϏ্āĻĨিāϤিāĻļীāϞāϤা āĻāĻŦং āĻĻāϞāĻŦাāĻি āĻŦৃāĻĻ্āϧিāϰ āϏাāĻĨে āĻāĻাāύে āĻāϰ্āĻĒোāϰেāĻ-āĻĒ্āϰāĻŦāĻŖāϤাāϰ āĻ
āĻাāĻŦেāϰ āϏāĻŽ্āĻĒāϰ্āĻ āĻŦোāĻাāϰāĻ āĻেāώ্āĻা āĻāϰা āĻšā§েāĻে। āĻĻāĻ্āώিāĻŖ āĻāĻļিā§াāϰ āĻŦেāĻļিāϰ āĻাāĻ āĻ্āϰাāĻŽীāĻŖ āĻĒ্āϰāϤিāώ্āĻ াāύ āĻāϏāϞাāĻŽেāϰ āĻĒ্āϰāϏাāϰāĻে āĻŦাāϧাāĻ্āϰāϏ্āϤ āĻāϰāϞেāĻ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ্āϰাāĻŽীāĻŖ āĻāϞাāĻাā§ āĻĒ্āϰāϤিāώ্āĻ াāύāĻুāϞোāϰ āĻোāύো āĻŦিāĻļেāώ āĻ
āĻŦāϏ্āĻĨা āĻāϏāϞাāĻŽ āϧāϰ্āĻŽে āϧāϰ্āĻŽাāύ্āϤāϰিāϤ āĻāϰাāϰ āĻāύ্āϝ āĻāĻāĻি āĻ
āύুāĻূāϞ āĻĒāϰিāĻŦেāĻļ āĻĒ্āϰāĻĻাāύ āĻāϰেāĻিāϞ, āϏে āϤাāϤ্āϤ্āĻŦিāĻ āĻাāĻ াāĻŽোāĻি āĻĒাāĻ āĻ āĻ āĻŦāĻāĻিāϤে āĻĒাāĻŦেāύ। āĻŦাংāϞাāĻĻেāĻļে āĻšিāύ্āĻĻু-āĻŽুāϏāϞিāĻŽ āϏāĻŽ্āĻĒāϰ্āĻ, āĻ āĻূāĻāĻŖ্āĻĄে āĻĒাāĻিāϏ্āϤাāύ āϰাāώ্āĻ্āϰেāϰ āĻāύ্āĻŽ āĻ āĻŽৃāϤ্āϝু āĻāĻŦং āĻŦāϰ্āϤāĻŽাāύ āĻ āĻāĻŦিāώ্āϝāϤেāϰ āĻāĻāĻা āϝাāϤ্āϰাāĻĒāĻĨ-āϏāĻŽ্āĻĒāϰ্āĻে āĻāĻāĻŦāϰ āĻāϞি āĻাāύেāϰ āϧাāϰāĻŖাāϰ āĻĒāϰিāĻā§āĻ āĻŽিāϞāĻŦে āĻ āĻ্āϰāύ্āĻĨāĻি āĻĨেāĻে।
āĻŦাংāϞাāĻĻেāĻļেāϰ āĻāϤিāĻšাāϏ, āϏাāĻŽাāĻিāĻ āĻĒ্āϰāϤিāώ্āĻ াāύ, āĻ
āϰ্āĻĨāύীāϤি, āϏাāĻŽ্āĻĒ্āϰāĻĻাā§িāĻāϤা, āĻāύāĻোāώ্āĻ ীāϰ āĻŽāύāϏ্āϤāϤ্āĻŦ āĻ āϰাāĻāύীāϤি āύিā§ে āĻāĻ্āϰāĻšী āϏāĻāϞেāϰ āĻাāĻেāĻ āĻŦāĻāĻি āĻĻাāϰুāĻŖāĻাāĻŦে āϏāĻŽাāĻĻৃāϤ āĻšā§েāĻে।
***
‘ āĻŦāĻāĻিāϰ āĻাā§āĻৃāϤ āĻŽূāϞ্āϝ ā§Šā§Ŧā§Ļ āĻাāĻা। āĻ
āϰ্āĻĄাāϰ āĻāϰāϤে āĻāĻĒāύাāϰ āĻ িāĻাāύা āĻ āĻĢোāύ āύাāĻŽ্āĻŦাāϰ āϞিāĻে āĻāύāĻŦāĻ্āϏ āĻāϰুāύ āĻāĻŽাāĻĻেāϰ āĻĢেāϏāĻŦুāĻ āĻĒেāĻāĻে āĻ
āĻĨāĻŦা āϏāϰাāϏāϰি āĻĢোāύ āĻāϰুāύ +ā§Žā§Žā§Ļ⧧⧝ā§ā§ā§ā§Šā§Šā§ā§Ŧā§Š āĻāĻ āύāĻŽ্āĻŦāϰে।
***
#upl #UniversityPressLimited #UPLBooks #ReadWithUPL #BookLovers #BookstagramBD #ReadersOfBangladesh #BanglaBooks #ReadingCommunity #BooksOfBangladesh #AcademicBooks #NonFictionReads #KnowledgeMatters #āĻŦাংāϞাāĻĻেāĻļেāϰāĻāϤিāĻšাāϏ #BangladeshHistory #RuralSociety #AkbarAliKhan #HistoricalAnalysis #NationBuilding
After Amnesia: Tradition and Change in Indian Literary Criticism (Orient Blackswan, 1993) - G N Devy
Linguist, cultural thinker and Padma Shri awardee Professor G.N. Devy is best known for leading the People’s Linguistic Survey of India, which has mapped hundreds of living languages across the country and is considered one of the world’s largest linguistic documentation projects. He is the founder of the Bhasha Research and Publication Centre and the Adivasi Academy, institutions dedicated to preserving tribal languages, cultures and knowledge traditions. Also known for having written and edited nearly ninety books on literary criticism, linguistics, philosophy and other fields, his won the Sahitya Akademi Award in 1993. He has also received honours such as the Prince Claus Award, the SAARC Literary Award and the Linguapax Prize for his contributions to cultural and linguistic diversity. Rohan Qurashi, a research student at St. Stephen’s College, Delhi, asks him to ponder over India’s lost languages – over 220 forgotten in just the last 50 years.
Read full interview on thewire.in
Thursday, 4 June 2026
Wednesday, 3 June 2026
“The cranes of Balaka continue their flight across philosophical borders.” -RABINDRANATH TAGORE - BALAKA - 2026
What if motion itself is the deepest form of freedom? In Balaka, Rabindranath Tagore reimagines existence not as fixed identity but as continuous becoming. Written at a moment when empire, war, and industrial modernity were reshaping the world, the poems open a space where time flows, selves dissolve, and meaning is never still.
Rather than treating movement as metaphor, Tagore builds a philosophy of motion. Birds, rivers, winds, and stars become part of a single unfolding reality where being is inseparable from becoming. Drawing on both Indic thought and European philosophy, *Balaka* resists fixed categories of identity, history, and civilisation, offering instead a world seen in flux.
Read the full article link in the comment.
#RabindranathTagore #Balaka #WorldLiterature #Philosophy #DecolonialThought #Modernism #BengalLiterature #Poetry #Bergson #Deleuze #SouthAsianStudies #LiteraryCriticism
SANTAL HUL
The Santal Hul of 1855 was one of the largest rebellions against colonial rule before the Indian independence movement. Led by the brothers Sidhu and Kanhu, thousands of Santals rose against exploitation by landlords, moneylenders, and colonial authorities, fighting with bows and arrows against the Bengal Army's muskets. Though the uprising was eventually crushed, the Hul left a lasting legacy of courage, resistance, and sacrifice. More than a century and a half later, it remains a defining chapter in Santal history, remembered through songs, stories, and collective memory.
Read the full article at the link in comment.
#SantalHul #SidhuKanhu #SantalHistory #AdivasiHistory #ColonialIndia #SouthAsianHistory
03 Bohurupe bhasha--Shyamasree Biswas Sengupta compiled & edited
03 āĻŦāĻšুāϰূāĻĒে āĻাāώা। āĻļ্āϝাāĻŽāĻļ্āϰী āĻŦিāĻļ্āĻŦাāϏ āϏেāύāĻুāĻĒ্āϤ। -989 MB-38 tracks-third volume of a set of three, this book attempts to the various usage of the Bengali language right from literary and linguistic applications to common people's usage-SVH audiobook for Blind & Print-disabled students & teachers-PhD, post-PhD research scholars pursuing studies in Bengali Language & Literature-SVH Recordist Krishna Bhattacharya- SVH Digital Editor Bandana Basu- uploaded by Hena Basu on 03 June 2026 from SVH Braille & Digital Audiobook Library, State Central Library WB, Kankurgachi, Kolkata 700054. This book is dedicated to the cause of Education Empowerment of Persons with Print-disability & Learning disability!
Tuesday, 2 June 2026
I, WANDERING JEW -- YAIR MINTZKER -- 2026
Combining history, detective story, and memoir, Yair Mintzker's I, Wandering Jew is a surprising and revealing account of the antisemitic myth of “the Wandering Jew."
Now available worldwide! Find it here:
https://hubs.ly/Q04j4RZV0
The story behind the mythical figure of “the Wandering Jew” is one of the most fascinating tales in European history. In I, Wandering Jew, National Jewish Book Award–winning historian Yair Mintzker traces the tale back to its source, follows its many metamorphoses through five centuries, and relates it to the fraught present moment.
According to a mysterious pamphlet published in 1602, the Wandering Jew was a real person, named Ahasversus, who was cursed by Jesus to eternal wandering after refusing to help him as he was led to his crucifixion. For more than four hundred years, many otherwise reliable witnesses have claimed to have seen the Wandering Jew. Moving in reverse chronological order, I, Wandering Jew explores crucial episodes in the story of this figure. We meet an unforgettable, Wandering Jew–like character who appeared out of nowhere in Israel in the 1950s; a nineteenth-century novelist who was the first Jew to favorably describe the Wandering Jew; an eighteenth-century German scholar who saw the Wandering Jew emerging from a devastating fire; and the man who likely inspired the 1602 pamphlet.
A work of history that reads like a detective story, I, Wandering Jew is also part memoir. As Mintzker discovers affinities between his own story and that of the Wandering Jew, the surprising history of an old antisemitic trope and its meanings becomes a profound meditation on home and exile, Judaism and Christianity, poetry and truth, the deep past and the present.
#History
Monday, 1 June 2026
POLIS - JOHN MA 2026 PAPERBACK
Now in #paperback, John Ma's Polis proposes a panoramic account of the ancient Greek city-state, its diverse forms, and enduring characteristics over the span of a millennium.
Read a free excerpt: https://hubs.ly/Q04jfC1v0
#History #AncientHistory #AncientGreece
Francisco Bethencourt's Strangers Within provides the first comprehensive history of New Christians - 2026
Now in #paperback, , the descendants of Jews forced to convert to Catholicism in late medieval Spain and Portugal.
Read a free preview: https://hubs.ly/Q04jdSWm0
#History
Sunday, 31 May 2026
TANTRIKDER CHIKITSA PADDHAT - SOMABRATA SARKAR - 2026; TANTRIKDER RANNA - SOMABRATA SARKAR
āϤাāύ্āϤ্āϰিāĻāĻĻেāϰ āĻিāĻিā§āϏা āĻĒāĻĻ্āϧāϤি ā§Šā§Ģā§Ļ — āĻিāϰিāĻা āϞাāĻāĻŦ্āϰেāϰি āĻĒ্āϰāĻাāĻļিāϤ
āĻāϞেāĻ āϏ্āĻ্āϰিāĻে āĻĒ্āϰাāĻĒ্āϤি āĻŽāĻšেāĻļ āϞাāĻāĻŦ্āϰেāϰি, āĻিāϰিāĻা āϞাāĻāĻŦ্āϰেāϰীāϰ āύিāĻেāϏ্āĻŦ āĻŦিāĻĒāĻŖী āϏāĻš āϏāϰ্āĻŦāϤ্āϰ
āĻ
āύāϞাāĻāύ āϞিংāĻ āϤাāύ্āϤ্āϰিāĻāĻĻেāϰ āĻিāĻিā§āϏা āĻĒāĻĻ্āϧāϤি
https://boighar.in/.../tantrikder-chikitsa-paddhati.../...
āϤাāύ্āϤ্āϰিāĻেāϰ āϰাāύ্āύা ā§Ŧā§Ģā§Ļ — āĻŽাāύ্āĻĻাāϏ
āĻāϞেāĻ āϏ্āĻ্āϰিāĻে āĻĒ্āϰাāĻĒ্āϤি āĻĻেāĻ, āĻĻে āĻŦুāĻ āϏ্āĻোāϰ, āĻŽāĻšেāĻļ āϞাāĻāĻŦ্āϰেāϰি, āĻŽাāύ্āĻĻাāϏ āĻŦিāĻĒāĻŖী āϏāĻš āϏāϰ্āĻŦāϤ্āϰ
āĻ
āύāϞাāĻāύ āϞিংāĻ āϤাāύ্āϤ্āϰিāĻেāϰ āϰাāύ্āύা
https://boierhaat.com/product/tantriker-ranna...
FAKIR BAUL TANTRER DIARY BY SOMBRATA SARKAR - 2026
āĻĢāĻিāϰ āĻŦাāĻāϞ āϤāύ্āϤ্āϰেāϰ āĻĄাāϝ়েāϰি, āĻŽুāĻĻ্āϰিāϤ āĻŽূāϞ্āϝ ā§Šā§Ģā§Ļ/,āĻĒ্āϰāĻাāĻļāύা : āĻĻীāĻĒ। āĻāϞেāĻ āϏ্āĻ্āϰিāĻে āĻĻীāĻĒ āĻĒ্āϰāĻাāĻļāύ āϏāĻš āϏāϰ্āĻŦāϤ্āϰ āĻĒাāĻāϝ়া āϝাāĻ্āĻে।
āĻĒাāĻ āĻĒ্āϰāϤিāĻ্āϰিā§া āĻĻিāϞেāύ āĻুāϰ্āĻি āϏুāĻŽāύা đ♥️
ā§§ā§Šā§Šā§Ļ āĻ্āϰীāώ্āĻাāĻŦ্āĻĻে āĻŦাংāϞাā§ āĻŽুāϏāϞিāĻŽ āĻļাāϏāύ āĻļুāϰু āĻšāĻā§াāϰ āĻāĻে āĻŦৌāĻĻ্āϧāϧāϰ্āĻŽ, āϤāύ্āϤ্āϰāϧāϰ্āĻŽ āĻ āĻšিāύ্āĻĻুāϧāϰ্āĻŽ āĻĒ্āϰāĻāϞিāϤ āĻিāϞ। āĻĒāϰāĻŦāϰ্āϤীāĻাāϞে āϏāĻšāĻāϝাāύেāϰ āĻšাāϤ āϧāϰে āĻŦাংāϞাā§ āĻāϏে āύাāĻĨ āϧāϰ্āĻŽ āĻ āϏāĻšāĻিā§া āϧāϰ্āĻŽ। āϏāĻšāĻিā§া āϧāϰ্āĻŽ āĻাāϞāĻ্āϰāĻŽে āĻŽুāϏāϞিāĻŽ āϧāϰ্āĻŽেāϰ āϏাāĻĨে āĻŽিāĻļে 'āύেā§া' āĻŦা 'āĻŦে-āĻļāϰা āĻĢāĻিāϰ'āĻĻেāϰ āϤৈāϰি āĻāϰে। āĻĒ্āϰাā§ ā§§ā§Ŧ⧍ā§Ģ-ā§ā§Ŧ āĻ্āϰীāώ্āĻাāĻŦ্āĻĻ āĻুā§ে āĻŦাংāϞাā§ āĻŦাāĻāϞāϧāϰ্āĻŽেāϰ āĻ
āĻ্āϝুāϤ্āĻĨাāύ āĻāĻে।
āϏুāĻĢি āĻāϧ্āϝাāϤ্āĻŽāĻŦাāĻĻ āĻ āϏāĻšāĻিā§া āĻŦৈāώ্āĻŖāĻŦāϧāϰ্āĻŽেāϰ āĻŽিāĻļ্āϰāĻŖে āϤৈāϰি āĻৌā§ীā§ āĻŦৈāώ্āĻŖāĻŦāϧāϰ্āĻŽেāϰ āĻ
āύুāϏাāϰী āĻāĻ āĻŦাāĻāϞ āϧāϰ্āĻŽেāϰ āĻŽূāϞ āĻāĻĨা āĻšāϞ āĻŽাāύāĻŦāĻĒ্āϰেāĻŽেāϰ āĻŽাāϧ্āϝāĻŽে āĻŽāύেāϰ āĻŽাāύুāώেāϰ āĻšৃāĻĻā§āĻে āϏ্āĻĒāϰ্āĻļ āĻāϰা। āĻŦাāĻāϞāĻĻেāϰ āĻীāĻŦāύ āĻšāϞ āĻŽুāĻ্āϤ āĻীāĻŦāύ āĻāϰ āϤাāĻĻেāϰ āϧāϰ্āĻŽ āĻšāϞ āĻীāĻŦāύāĻŦোāϧ āϝেāĻাāύে āĻŽাāύুāώ āĻāĻļ্āĻŦāϰāĻ āύā§, āĻŦ্āϰāĻš্āĻŽāĻ āύā§; āϏে āĻŽাāύāĻŦ āĻŦ্āϰāĻš্āĻŽ āϝাāϰ āĻাāϤি āĻŦāϰ্āĻŖ āϧāϰ্āĻŽ āύেāĻ।
āϞেāĻāĻ āϏোāĻŽāĻŦ্āϰāϤ āϏāϰāĻাāϰ "āĻĢāĻিāϰ āĻŦাāĻāϞ āϤāύ্āϤ্āϰেāϰ āĻĄাā§েāϰি" āĻŦāĻāĻিāϤে āĻŦাংāϞাāϰ āĻŦেāĻļ āĻিāĻু āĻ
āĻ্āĻāϞেāϰ āĻŦাāĻāϞ āĻāĻā§া āĻ āĻāĻļ্āϰāĻŽেāϰ āϤāύ্āϤ্āϰ āĻ āϏাāϧāύাāϰ āĻāĻĨা āϤুāϞে āϧāϰেāĻেāύ। āĻুāώ্āĻিā§াāϰ āĻ্āϝোāϤিāϧাāĻŽ, āĻšেāĻŽ āĻāĻļ্āϰāĻŽ, āύāĻŦāĻĒ্āϰাāĻŖ āĻāĻā§া, āĻৈāϞিāĻļাāĻুāύ্āĻĄি; āĻোāώāĻĒাā§াāϰ āϏāϤীāĻŽাā§েāϰ āĻāĻā§া, āĻĻāϰāĻŦেāĻļেāϰ āĻāĻā§াāĻŦাā§ি, āĻā§ংāĻাāĻাāϰ āϝুāĻāϞāĻিāĻļোāϰ, āϤাāϰাāĻĒীāĻ েāϰ āĻāύāύ্āĻĻāĻŽā§ী āĻāĻļ্āϰāĻŽ, āĻাāĻŽাāĻ্āϝাāϰ āύীāϞাāĻāϞ āĻĒাāĻšাā§, āĻŦাঁāĻুā§াāϰ āĻোā§োāĻĒাāĻšাā§ āĻāĻ āϏ্āĻĨাāύāĻুāϞিāϰ āĻŽāϧ্āϝে āĻ
āύ্āϝāϤāĻŽ। āϞেāĻāĻ āĻāĻাāύে āĻĒ্āϰাāĻ্āĻāϞ āĻাāώাā§ āĻāϞোāĻāύা āĻāϰেāĻেāύ āĻŦাāĻŽাāĻাāϰ, āĻāĻāύ্āύাāĻĨāĻĻেāĻŦেāϰ āĻ
āύ্āϤāϰাāϞে āĻŦৌāĻĻ্āϧāϤāϤ্āϤ্āĻŦ, āĻŦāϏ্āϤুāύিā§āύ্āϤ্āϰāĻŖ, āϏাāϧāύāĻ্āϰিā§া, āĻুāĻŖ্āĻĄāϞিāύীāϰ āϧ্āϝাāύ, āĻāĻļāĻŽাāύি āĻেā§াāϞ, āĻļāϰীāϰ āĻ্āϰিā§া, āĻাāϰāĻāύ্āĻĻ্āϰ āĻ্āϰāĻšāĻŖ, āĻŽāĻšাāĻĒāĻĻ্āĻŽ āĻ āĻāĻ্āϰ āĻাāĻāϰāĻŖ, āĻāĻোāϰী āϤāύ্āϤ্āϰেāϰ āĻŽāϤ āĻāĻিāϞ āĻŦিāώā§āĻুāϞিāĻে। āϞেāĻāĻ āϏোāĻŽāĻŦ্āϰāϤ āϏāϰāĻাāϰ āĻĒāϰিāĻŦ্āϰāĻāύāĻাāϞে āύিāĻেāϰ āĻ
āĻিāĻ্āĻāϤাāϞāĻŦ্āϧ āĻাāĻšিāύিāĻুāϞিāĻে āϤুāϞে āϧāϰেāĻেāύ āϤাঁāϰ āĻĄাā§েāϰিāϤে। āĻĢāϞāϏ্āĻŦāϰূāĻĒ āĻŦāĻāĻি āĻĒā§ে āϝেāĻŽāύ āĻŦাāĻāϞ āĻĢāĻিāϰāĻĻেāϰ āĻীāĻŦāύ, āϤাāĻĻেāϰ āϤāύ্āϤ্āϰ āĻ āϏাāϧāύাāϰ āĻĻিāĻāĻুāϞি āĻাāύা āϝাā§, āϤেāĻŽāύ āĻ
āύ্āϝāĻĻিāĻে āϏেāĻ āĻāĻāύাāĻুāϞি āϞেāĻāĻāĻে āĻিāĻাāĻŦে āĻĒ্āϰāĻাāĻŦিāϤ āĻāϰেāĻে āĻāĻŦং āϞেāĻāĻāĻ āϏেāĻ āϏাāϧāύাāĻে āĻāϤāĻা āĻāϤ্āĻŽāϏ্āĻĨ āĻāϰেāĻেāύ, āϏেāĻিāĻ āĻাāύা āϝাā§।
āϏুāϝোāĻ āĻĒেāϞে āĻ
āĻŦāĻļ্āϝāĻ āĻĒā§ে āĻĻেāĻুāύ āĻāĻ āĻŦāĻāĻি। āϞেāĻāĻেāϰ āĻ
āύেāĻ āĻĒā§াāĻļুāύো āĻ āĻāĻŦেāώāĻŖা āĻŽিāĻļে āĻāĻে āĻāĻ āĻŦāĻāĻিāϤে।
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āĻĢāĻিāϰ āĻŦাāĻāϞ āϤāύ্āϤ্āϰেāϰ āĻĄাā§েāϰি
Somabrata Sarkar
āĻĻীāĻĒ āĻĒ্āϰāĻাāĻļāύ See less
Saturday, 30 May 2026
āĻাāϏ্āĻāϰāĻŦ্āϰāϤ āĻĒāϤি āĻĒ্āϰāĻŖীāϤ āĻŽāϧ্āϝāϝুāĻেāϰ āĻāĻŦি : āĻĒ্āϰেāĻ্āώিāϤ āĻŽেāĻĻিāύীāĻĒুāϰ -- BHASKARBRATA PATI - MADHYAJUGER KABI: PREKSHI MEDINIPUR - 2026
āĻĒ্āϰāĻাāĻļিāϤ āĻšāϝ়েāĻে
āĻĻāĻ্āώিāĻŖ-āĻĒāĻļ্āĻিāĻŽ āϏীāĻŽাāύ্āϤ āĻŦাংāϞাā§, āϤāĻĨা āĻ
āĻŦিāĻāĻ্āϤ āĻŽেāĻĻিāύীāĻĒুāϰে āĻŦাāϏুāĻĻেāĻŦ āĻোāώ, āĻŽুāĻুāύ্āĻĻ āĻāĻ্āϰāĻŦāϰ্āϤী, āĻাāĻļীāϰাāĻŽ, āĻļ্āϝাāĻŽাāύāύ্āĻĻ, āϰāϏিāĻাāύāύ্āĻĻ, āĻোāĻĒীāĻāύāĻŦāϞ্āϞāĻ āĻĻাāϏ, āϰাāĻŽেāĻļ্āĻŦāϰ āĻāĻ্āĻাāĻাāϰ্āϝ, āĻĒ্āϰাāĻŖāĻŦāϞ্āϞāĻ āĻোāώ, āĻĻ্āĻŦিāĻ āύিāϤ্āϝাāύāύ্āĻĻ, āĻ
āĻিāĻ্āĻāύ āĻāĻ্āϰāĻŦāϰ্āϤী, āĻļ্āϰীāĻৃāώ্āĻŖāĻিāĻ্āĻāϰ, āĻĻāϝ়াāϰাāĻŽ āĻĻাāϏ āϏāĻš āĻŽāϧ্āϝāϝুāĻেāϰ āĻāϤ āĻāĻŦি āϤাঁāĻĻেāϰ āĻাāĻŦ্āϝ āϰāĻāύাāϰ āĻŽāϧ্āϝ āĻĻিā§ে āĻāĻŽাāĻĻেāϰ āĻŦেঁāĻে āĻĨাāĻাāϰ āύিāĻĻাāύ āĻĻিāϝ়ে āĻেāĻেāύ, āĻাāϏ্āĻāϰāĻŦ্āϰāϤ āĻĒāϤি āϏেāĻāϏāĻŦ āĻāĻŦিāĻĻেāϰ āύিāϝ়ে āĻāĻ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻāĻŦেāώāĻŖা āĻ্āϰāύ্āĻĨ āĻĒ্āϰāĻŖāϝ়āύ āĻāϰেāĻেāύ ।
āĻাāϏ্āĻāϰāĻŦ্āϰāϤেāϰ āĻĒ্āϰāĻĨāĻŽ āĻŦāĻ 'āĻšāĻেāĻļ্āĻŦāϰেāϰ āĻাāĻāύ' āĻĒ্āϰāĻাāĻļিāϤ āĻšā§েāĻিāϞ ⧍ā§Ļā§Ļ⧝ āĻ, āĻোāϞাāĻাāĻ āϞোāĻāϏংāϏ্āĻৃāϤি āĻāĻŦেāώāĻŖা āĻেāύ্āĻĻ্āϰ āĻ āϏংāĻ্āϰāĻšāĻļাāϞা āĻĨেāĻে। āϤাāϰāĻĒāϰ āĻĒ্āϰāĻাāĻļিāϤ āĻšā§েāĻে, 'āĻŽেāĻĻিāύীāĻĒুāϰেāϰ āϞোāĻāĻļিāϞ্āĻĒ', 'āϞৌāĻিāĻ āĻŽেāĻĻিāύীāĻĒুāϰ', 'āĻŽেāĻĻিāύীāĻĒুāϰেāϰ āĻšাāĻĒুāĻাāύ', 'āĻŦাংāϞাāϰ āĻাāϏ āĻĒাāϤা āĻĢুāϞ āĻĢāϞ', 'āĻেāĻুāϰে āĻāϞাāĻĒ' āϏāĻš āĻ
āύেāĻāĻুāϞি āĻ্āϰāύ্āĻĨ। āĻ
āĻŦিāĻāĻ্āϤ āĻŽেāĻĻিāύীāĻĒুāϰ āĻেāϞাāĻে āĻুāĻŦ āύিāĻŦিā§āĻাāĻŦে āĻেāύেāύ āĻাāϏ্āĻāϰāĻŦ্āϰāϤ। āϏেāĻ āĻেāύা, āĻ্āώেāϤ্āϰāϏāĻŽীāĻ্āώা āĻāĻŦং āĻ
āϧ্āϝā§āύেāϰ āĻĢāϏāϞ āĻāϞোāĻ্āϝ āĻ্āϰāύ্āĻĨāĻি। āĻāϤিāĻš্āϝ, āϏংāϏ্āĻৃāϤি āĻāϤিāĻšাāϏে āĻŽেāĻĻিāύীāĻĒুāϰেāϰ āĻ
āĻŦāϏ্āĻĨাāύ āύিāϰ্āĻŖā§ে āĻāĻি āĻāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻ্āϰāύ্āĻĨ ।
āĻĒ্āϰāĻাāĻļāĻ : āĻŽāĻšুāϞ āĻĒ্āϰāĻাāĻļāύ, āĻŽো -- ā§Žā§Ļā§Ļā§§ā§§ā§Ļā§Ŧā§¨ā§Žā§¨
Friday, 29 May 2026
Fiction and Education in the Roman World by Jacqueline Arthur-Montagne - 2026
Offers a new understanding of fiction in the Roman world as a sociocultural practice governed by institutions of literary learning.
https://cup.org/432CBE7
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